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A documentary that speaks about how women experience, endure, and live with their bodies. A diverse group of women talk about their differential experience with the female body as they spiral through childhood, puberty, pregnancy, childbirth, illness, and aging. The film takes these private secrets about taboos, pain, and emotions these female individuals have about their body – which become personal and secret when these bodily experiences are not shared and discussed openly in society – and puts them on the social agenda.The gender roles and systematic standards forced on women’s bodies often result in women hating and being ashamed of their own bodies or desiring non-female bodies. There are emotions evoked due to the women’s internalized outsider view on their physical appearance, as well as emotions associated with the women’s body as the innate female experience of the body are stigmatized. In spite of these negative emotions and associations with their bodies, these women talk about the time they also felt a sense of wonder and beauty through their bodies during their interview.
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Jack, an Alaskan ex patriot, returns to his Fairbanks home following the death of his wife. He is full of anger, guilt and depression. His reclusive lifestyle is challenged when he meets a graduate student who is investigating the affects of the mining operations on a local water source. The film was shot on location in Fairbanks. The cinematography is beautiful and genuine. There is nothing fake or stereotypical about the portrayal of the subarctic summer and lifestyle. Filmed during in mid-June during the longest day of the year, the cinematographer and the director make excellent use of the midnight sun and the seasonal beauty unique to this part of the world. For this Fairbanksan, it was refreshing to see a film where Interior Alaska is portrayed with such integrity. Daniel Ponickly, who stars as Jack delivers a good performance as the widower who is lost in his grief. Ponickly also wrote the screenplay. This is the second full length feature film for director Zoe Quist. Her first film, Raw Cut, a thriller was also filmed in a panoramic environment -Dubois, WY- she made excellent use of the natural beauty of the environment. Through these two different stories, Quist proved her directing talent and ability. Newcomer Carrie Baker, and veteran Mischa Barton give very good performances. I would have liked to see more of Barton. Syd Wilder, is very convincing as the waitress with a heart of gold and a body for sin as are very convincing in their bad boy roles Jonathan Bennett and Levi Ben-Israel. Billy Zane is well cast as a UAF School of Geophysics professor, Toly Ramirez wrote the score for Mining for Ruby, as he did the haunting music for Raw Cut. The length of the film is 95 minutes and this writer found them to be a very enjoyable way to rediscover his home town.
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We live in an age when technological innovation seems to be limitlessly soaring. But for all the satisfying speed with which our gadgets have improved, many of them share a frustrating weakness: the batteries. Even though there have been some improvements in last century, batteries remain finicky, bulky, expensive, toxic and maddeningly short-lived. The quest is on for a "super battery," and the stakes in this hunt are much higher than the phone in your pocket. With climate change looming, electric cars and renewable energy sources like wind and solar power could hold keys to a greener future... if we can engineer the perfect battery. In Search for the Super Battery, renowned gadget geek and host David Pogue explores the hidden world of energy storage, from the power--and danger--of the lithium-ion batteries we use today, to the bold innovations that could one day charge our world. He wants to uncover what the future of batteries has in store for our gadgets, our lives - and even our ...
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